Emotions Run Wild; Expressive Abstract Paintings

There is no containment in the Wild collection. The work moves in a way that cannot be smoothed over or summarized. Each painting begins with a decision and ends without closure. It is not searching for equilibrium. It does not flatten tension into beauty. These pieces stay open, structurally and emotionally, without softening the force behind them. They do not wait to be approved.

The collection moves across a wide visual spectrum. Thick blocks of color interrupt thin, sweeping gestures. Some surfaces carry dense buildup, others reveal the trace of earlier choices. The viewer is not given a clean entry point. There is no neutral background, no border between rest and movement. Every inch of the surface holds activity. The whole painting counts.

The palette is decisive. It reaches toward saturation without becoming ornamental. Yellows appear often, not as light but as pressure. Blues carry volume. Pinks show up in conflict with other forms, not as accents but as fields of friction. The paint is not applied to please. It is pushed, dragged, smeared, built. Texture becomes a record of refusal.

This collection stands within the lineage of modern abstract painting while resisting its polish. It does not use visual balance to signal resolution. Instead, it allows the composition to stay in tension. There is movement without release. Each piece arrives at a visual threshold and remains there. The result is not instability, but insistence. The paintings do not turn away from what is unresolved.

Some works carry text. The lettering is raw, large, and present. It is not hidden in layers or refined into design. The words are statements. They appear in the same space as the gesture, without hierarchy. In this way, language becomes material. The viewer reads it the same way they read color. Not as explanation, but as presence.

Each work holds its own internal rhythm. There are moments of rupture and moments of cohesion. These are not reactions to each other, but separate conditions living side by side. The canvas does not follow a path. It absorbs everything at once. The paintings exist as they are. They do not lean into metaphor.

Collectors drawn to emotional abstract art may recognize this quality. The work asks for attention but does not direct it. It sits inside a different kind of order, one shaped by lived energy rather than structure. The decision to collect a piece from this body of work is not about matching style or space. It is about recognition.

This is original artwork made with clarity and volume. It does not look away. It remains visible, even when it becomes uncomfortable. There is no resolution, only presence. This is what holds.

Explore original artwork for sale from the Wild collection at margaretlipsey.com or join the Collector’s Circle for new releases.